‘Melancholia’ 2011

Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.

In “Melancholia,” an excursion from the sad to the sublime by way of the preposterous, the always controversial Danish director Lars von Trier offers his own, highly personal version of apocalypse: a celestial collision rendered in surprisingly lovely digital effects and accompanied by mighty blasts of Wagner. The film takes its title from a rogue planet that appears suddenly in the night sky and seems to be heading straight for Earth.

The word also, not coincidentally, names an emotional disorder described by Freud as “a profoundly painful dejection, cessation of interest in the outside world, loss of the capacity to love, inhibition of all activity, and a lowering of the self-regarding feelings to a degree that finds utterance in self-reproaches and self-revilings, and culminates in a delusional expectation of punishment.”  Read More

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