A French boy (Daniel) and an American girl (Lauren), who goes to school in Paris, meet and begin a little romance. They befriend Julius who enchants them with his storytelling. In an attempt to ensure the teens’ love forever, the three journey to Venice.
A Little Romance is a 1979 American Technicolor and Panavision romantic comedy film directed by George Roy Hill and starring Laurence Olivier, Thelonious Bernard, and Diane Lane in her film debut. The screenplay was written by Allan Burns and George Roy Hill, based on the novel E=mc2Mon Amour by Patrick Cauvin. The original music score was composed by Georges Delerue. The film follows a French boy and an American girl who meet in Paris and begin a romance that leads to a journey to Venice where they hope to seal their love forever with a kiss beneath the Bridge of Sighs at sunset.
The film won the 1979 Academy Award for Best Original Score for Georges Delerue and received an additional nomination for Best Adapted Screenplay for Allan Burns. It also received two Golden Globe Award nominations for Best Supporting Actor for Laurence Olivier and Best Original Score for Delerue. As the film’s young leads, Thelonious Bernard and Diane Lane both received Young Artist Award nominations as Best Actor and Best Actress respectively, as well as earning the film a win as Best Motion Picture Featuring Youth. It was the first film released by Orion Pictures.
Following its initial release in 1979, the film received mixed reviews, with some being quite negative. Though the reviews have gone on to become generally positive over time. In his review in The New York Times, Vincent Canby described the film as “so ponderous it seems almost mean spirited. It’s been a long time since I’ve seen a movie about boorish American tourists and felt sorry for the tourists—which is one of Mr. Hill’s achievements here. I’m sure nothing mean-spirited was intended, but such is the film’s effect. This may be the main hazard when one sets out to make a film so relentlessly sweet-tempered that it winds up—like Pollyana—alienating everyone not similarly affected.”
In his review in the Chicago Sun-Times, Roger Ebert gave the film only two stars, writing that the film “gives us two movie kids in a story so unlikely I assume it was intended as a fantasy. And it gives us dialog and situations so relentlessly cute we want to squirm.”