A “story inside a story,” in which the first part follows a woman named Susan who receives a book manuscript from her ex-husband, a man whom she left 20 years earlier, asking for her opinion. The second element follows the actual manuscript, called “Nocturnal Animals,” which revolves around a man whose family vacation turns violent and deadly. It also continues to follow the story of Susan, who finds herself recalling her first marriage and confronting some dark truths about herself.
Owen Gleiberman of Variety praised the film, stating “Tom Ford’s first film since A Single Man is another winner”, and complimenting the performances of Gyllenhaal, Adams, Shannon and Taylor-Johnson. Steve Pulaski of Influx Magazine gave the film a perfect A+, saying, “Nocturnal Animals is one of the best films of the year. A layered, masterful work of interwoven storylines mixed with crime-drama craft, infused with the same kind of pulsating, West Texas-vibes we saw so beautifully in Hell or High Water, and multilayered storytelling at its finest, the film features gifted actors throwing themselves into performances that require massive versatility between scenes.”
50805_AA_6087 print_v2lmCTRST+SAT3F Academy Award nominee Amy Adams stars as Susan Morrow in writer/director Tom Ford’s romantic thriller NOCTURNAL ANIMALS, a Focus Features release. Credit: Merrick Morton/Focus Features
Juggling some angry Russians, the British Mi5, his impossibly leggy wife and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai (Johnny Depp) must traverse the globe armed only with his good looks and special charm in a race to recover a stolen painting rumored to contain the code to a lost bank account filled with Nazi gold.
Even after reading many bad reviews, I still think this film is a charm. My guess is that many old-head movie buffs might feel a bit offended by his more recent eccentric characters. Although I do agree that most of his characters from older films are some of his best; Johnny Depp is something like a chameleon, he transforms into his characters gracefully it seems and forms new life within them. So to me Johnny Depp can play both a serious and or nutty character. Or really whatever he wishes to play because he is indeed Johnny Depp. He plays all his characters well as he is an amazing actor and deserves credit. Where ever you are Johnny I’m on your side.
About this film, its an adventure and a comedy (among a few other genres), which to me stirs up the perfect cup of coffee; or movie in this case, ha! The movie poster itself put a smile on my face and left me eager to watch what ‘Mortdecai’ was all about.
A hilarious film that had me laughing from the moment I saw Charlie Mortdecai’s ostentatious mustache flaring and his humorous stride. I couldn’t keep my eyes off. There are many funny scenes within this film and of course couldn’t have been funny without Charlie Mortedcai’s gestures, mannerisms and mustache.
Say what you will, but I love this film because its weird, funny and takes me on an adventure with an eccentric character.
Johnny Depp and Gwyneth Paltrow in ‘Mortdecai’ 2015
A sensationalized paranoia movie that is one long preparation for a massacre. It creates a tight, obsessive, suffocating world that excludes `normal’ outlets for relief, rest, connection, gratification. Robert DeNiro is superb as a lonely, impotent, insomniac ex-marine provoked to orgasmic carnage. it is definitely not suitable for the squeamish, the impressionable or the very young.
Loneliness seems to capture the soul that is Travis Bickle. He is an alienated man, unable to establish a normal relationship. Almost every action taken by him to make a meeningful connection with others might seem like good intentions at first but end up in failure.
A Clockwork Orange is a 1971 dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess’s 1962 novel A Clockwork Orange. It employs disturbing, violent images to comment on psychiatry, juvenile delinquency, youth gangs, and other social, political, and economic subjects in a dystopian near-future Britain.
Alex (Malcolm McDowell), the main character, is a charismatic, sociopathic delinquent whose interests include classical music (especially Beethoven), rape, and what is termed “ultra-violence”. He leads a small gang of thugs (Pete, Georgie, and Dim), whom he calls his droogs (from the Russian word друг, “friend,” “buddy”). The film chronicles the horrific crime spree of his gang, his capture, and attempted rehabilitation via controversial psychological conditioning. Alex narrates most of the film in Nadsat, a fractured adolescent slang composed of Slavic (especially Russian), English, and Cockney rhyming slang.
Death Proof is a 2007 American exploitation film written and directed by Quentin Tarantino. It stars Kurt Russell as a stuntman who murders young women in staged car accidents using his “death-proof” stunt car.
In Death Proof Kurt Russell stars as an engine-revving psychopath who prefers to take out his beautiful victims at 200 mph. Originally released into theaters on a double bill with Robert Rodriguez’s Planet Terror under the Grindhouse banner, Death Proof finds a group of ladies out on the town pitted against a mysterious figured named Stuntman Mike (Russell), whose vintage automobile has been partially modified to withstand even the most extreme auto collision. Though the maniacal driver himself always comes out relatively unscathed, the same certainly can’t be said for the poor young lass in his passenger seat — or anyone unfortunate enough to be on the road when the urge to kill strikes for that matter. With a list of potential road-kill candidates that includes Rose McGowan, Jordan Ladd, Rosario Dawson, and Vanessa Ferlito, Death Proof takes viewers on an adrenaline-infused drive that’s as sexy as it is shocking.