In London, the sideshow troupe of Doctor Parnassus promises the audience a journey to the “Imaginarium”, an imaginary world commanded by the mind of Doctor Parnassus, where dreams come true. In the stories that Doctor Parnassus tells to his daughter Valentina, the midget Percy, and his assistant Anton, he claims to have lived for more than one thousand years; However, when he fell in love with a mortal woman, he made a deal with the devil (Mr. Nick), trading his immortality for youth. As part of the bargain, he promised his son or daughter to Mr. Nick on their sixteenth birthday. Valentina is now almost to the doomed age and Doctor Parnassus makes a new bet with Mr. Nick, whoever seduces five souls in the Imaginarium will have Valentina as a prize. Meanwhile the troupe rescues Tony, a young man that was hanged on a bridge by the Russians. Tony was chased until he finds and joins the group. Tony and Valentina fall in love with each other and the jealous Anton discovers that his competition may be a liar.
The Imaginarium of Doctor Parnassus movie image Heath Ledger
Effects of Heath Ledger’s death
Production was disrupted by the death of Heath Ledger in New York City on 22 January 2008. Ledger’s involvement had been a “key factor” in the film’s financing. Gilliam was presiding over concept art when he was informed by a phone call that Ledger had died. His initial thought about the production was: “The film’s over, it’s as simple as that.” Although production was suspended indefinitely by 24 January, Gilliam initially wanted to “salvage” the film by using computer-generated imagery to make Ledger’s character magically change his appearance, perhaps into another character. He also wanted to dedicate the film to Ledger. The imagery would have been similar to transformation techniques seen on Brad Pitt in The Curious Case of Benjamin Button and those employed on Roy Scheider’s performance in his posthumous release Iron Cross. Continue reading “‘The Imaginarium of Doctor Parnassus’ 2009”
Juggling some angry Russians, the British Mi5, his impossibly leggy wife and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai (Johnny Depp) must traverse the globe armed only with his good looks and special charm in a race to recover a stolen painting rumored to contain the code to a lost bank account filled with Nazi gold.
Even after reading many bad reviews, I still think this film is a charm. My guess is that many old-head movie buffs might feel a bit offended by his more recent eccentric characters. Although I do agree that most of his characters from older films are some of his best; Johnny Depp is something like a chameleon, he transforms into his characters gracefully it seems and forms new life within them. So to me Johnny Depp can play both a serious and or nutty character. Or really whatever he wishes to play because he is indeed Johnny Depp. He plays all his characters well as he is an amazing actor and deserves credit. Where ever you are Johnny I’m on your side.
About this film, its an adventure and a comedy (among a few other genres), which to me stirs up the perfect cup of coffee; or movie in this case, ha! The movie poster itself put a smile on my face and left me eager to watch what ‘Mortdecai’ was all about.
A hilarious film that had me laughing from the moment I saw Charlie Mortdecai’s ostentatious mustache flaring and his humorous stride. I couldn’t keep my eyes off. There are many funny scenes within this film and of course couldn’t have been funny without Charlie Mortedcai’s gestures, mannerisms and mustache.
Say what you will, but I love this film because its weird, funny and takes me on an adventure with an eccentric character.
Johnny Depp and Gwyneth Paltrow in ‘Mortdecai’ 2015
In a dusty, underpopulated California resort town, a naive southern waif, Pinky Rose (Sissy Spacek), idolizes and befriends her fellow nurse, the would-be sophisticate and “thoroughly modern” Millie Lammoreaux (Shelley Duvall). When Millie takes Pinky in as her roommate, Pinky’s hero worship evolves into something far stranger and more sinister than either could have anticipated. Featuring brilliant performances from Spacek and Duvall, this dreamlike masterpiece from Robert Altman careens from the humorous to the chilling to the surreal, resulting in one of the most unusual and compelling films of the 1970s.