‘The Rocky Horror Picture Show’ 1975

While driving home during a rain filled night, straight-laced lovebirds Brad Majors and Janet Weiss end up by chance at the castle of one Dr. Frank-N-Furter and his strange and bizarre entourage, and find that he’s having a party. This is no ordinary party, no ordinary night. This is the unveiling of the doctor’s latest creation: Rocky Horror, a man-made Adonis that will give absolute pleasure. Over the course of the night, Frank seduces both Brad and Janet, Janet and Rocky become biblically involved, and Dr. Everett Von Scott arrives looking for his nephew Eddie (whom Frank killed earlier in this film). This is an exceedingly grand visual and musical camp satire of the golden days of the B-movie horror and science-fiction genres. Projected along with a musical soundtrack to give audience participation a new meaning in dimension, time and space, this shall be a night that both Brad and Janet will remember for a very long time in the sexually kinky, rock ‘n roll, rock-opera world of a gender-bending scientist – and his time warped plans.

Critical Reception

Chicago Sun-Times critic Roger Ebert noted that when first released, The Rocky Horror Picture Show was “ignored by pretty much everyone, including the future fanatics who would eventually count the hundreds of times they’d seen it”. He considered it more a “long-running social phenomenon” than a movie, rating it 2.5 out of 4 stars. Bill Henkin noted that Variety thought that the “campy hijinks” of the film seemed labored, and also mentioned that the San Francisco Chronicle’s John Wasserman, who had liked the stage play in London, found the film “lacking both charm and dramatic impact”. Newsweek called the film “tasteless, plotless and pointless” in 1978.

Review aggregator website Rotten Tomatoes gives the film a rating of 80% based on 41 reviews. A number of contemporary critics find it compelling and enjoyable because of its offbeat and bizarre qualities; the BBC summarised: “for those willing to experiment with something a little bit different, a little bit outré, The Rocky Horror Picture Show has a lot to offer”. The New York Times called it a “low-budget freak show/cult classic/cultural institution” and considered the songs featured in the film to be “catchy”. Geoff Andrew of Time Out noted that the “string of hummable songs gives it momentum, Gray’s admirably straight-faced narrator holds it together, and a run on black lingerie takes care of almost everything else”, rating it 4 out of 5 stars. Dave Kehr of Chicago Reader on the other hand considered the wit to be “too weak to sustain a film” and thought that the “songs all sound the same”.

In 2005, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”

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‘Animal House’ 1978

Faber College has one frat house so disreputable it will take anyone. It has a second one full of white, anglo-saxon, rich young men who are so sanctimonious no one can stand them except Dean Wormer. The dean enlists the help of the second frat to get the boys of Delta House off campus. The dean’s plan comes into play just before the homecoming parade to end all parades for all time.

‘Heathers’ 1988

Veronica (Winona Ryder) is part of the most popular clique at her high school, but she disapproves of the other girls’ cruel behavior. When Veronica and her new boyfriend, J.D. (Christian Slater), confront clique leader Heather Chandler (Kim Walker) and accidentally poison her, they make it appear a suicide. Soon Veronica realizes that J.D. is intentionally killing students he does not like. She races to stop J.D. while also clashing with the clique’s new leader, Heather Duke (Shannen Doherty).

‘Fear and Loathing in Las Vegas’ 1998

Journalist Raoul Duke and his lawyer Dr Gonzo drive from LA to Las Vegas on a drugs binge. They nominally cover news stories, including a convention on drug abuse, but also sink deeper into a frightening psychedelic otherworld. As Vietnam, Altamont and the Tate killings impinge from the world of TV news, Duke and Gonzo see casinos, reptiles and the American dream.

Parents need to know that Fear and Loathing in Las Vegas is a two-hour celebration of drugs, foul language, and debauchery, with little or no consequences, redemption, or lessons learned. Lead character Raoul Duke (Johnny Depp) is based on famous “Gonzo” journalist Hunter S. Thompson — but there’s little actual writing going on in the movie amid the fog of drugs, drinking, and swearing. Although little actual sex is shown, there’s plenty of violent and depraved sexual imagery in the dialogue, yet another reason this movie absolutely isn’t for kids. But for adults — especially those already inducted into the Thompson cult — the movie is a hilarious cult favorite.

As directed by Terry Gilliam, this seemingly pointless celebration of bad behavior is also a hilarious and crazily visual comedy for adults already inducted into the Hunter S. Thompson cult. The movie sets a bizarre, frantic pace and sustains it successfully for its entire running time. Gilliam’s extraordinary camerawork — as well as weird makeup and visual effects — attempts to capture the feel of a real drug trip, as well as some imaginatively trashed hotel rooms afterward.   – Common Sense Media